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About Amy Ray Ring:

A lot of artists defy categorization. Some practise then because they are tirelessly searching for the place they fit, while others are constantly chasing trends. Some, though, are genuinely exploring and expressing their myriad influences. Amy Ray belongs in the latter group. Pulling from every direction — Patty Griffin to Patti Smith, Large Star to Bon Iver — Ray'due south music might best exist described every bit folk-stone, though even that would exist a tough sell, depending on the vocal.

Ray's musical ancestry trace back to her high schoolhouse days in Atlanta, Georgia, when she and Emily Saliers formed the duo that would become the Indigo Girls. Their story started in 1981 with a basement tape called "Tuesday's Children" and went on to include a deal with Epic Records in 1988, a Grammy in 1990, and nigh xx albums over more than 30 years.

Rooted in shared passions for harmony and justice, the Indigo Girls take forged a career that combines artistry and activism to push against every boundary and box anyone tries to put them in. Every bit activists, they have supported as many great causes as they can, from LGBTQ+ rights to voter registration, going so far equally to co-found an environmental justice arrangement, Honour the Earth, with Winona LaDuke in 1993. As artists, they have dipped their toes into a similar multitude of waters — folk, stone, land, popular, and more than — but the resulting releases are always pure Indigo.

Ray'southward six solo sets — and three alive albums — have charted even wider seas, from the political punk of 2001'southward Stag to the feminist Americana of 2018's Holler. Each effort seems to lean into her influences in different ways, whether it'south the Allman Brothers or the Carter Family. One anthology finds the Butchies on total boom, another features Alison Brown on bluegrass banjo.

Both Stag and its follow-upwards, Prom (2005),found Ray addressing societal woes, ranging from the dangers of homophobia to the adulthood of rock & ringlet, all while channeling her inner Replacements into a Southern punk audio that she has called "subversiveness with a smile." Ray softened her sonic stance a fleck for her next two efforts, 2008'south Didn't Information technology Feel Kinder and 2012'southward Lung of Love, both of which felt closer in tone to her work with Indigo Girls, confronting cultural issues aslope personal ones.

In retrospect, information technology'south like shooting fish in a barrel to see how songs like Lung of Love's "Bird in the Mitt" and "The Stone Is My Foundation" served equally signposts of what was to come next for Ray. With Goodnight Tender in 2014, she recorded in Asheville, North Carolina, and stepped squarely into the state music that has been a function of everything she'south washed. But it'southward not the kind of country heard on the radio; it's the country music culled from folk, bluegrass, gospel, and Southern rock, going so far as to title a tune afterward Duane Allman.

For 2018'southward Holler, Ray recorded, one time again, with her Carolina country kin, adding horns and strings to all but split the musical distance between Kinder and Tender to create a soulful, country-tinged, gospel-infused Americana sound. More cohesively than her prior releases, Holler encompasses and imparts all the disparate aspects of Ray's influences in a singular offering.

Ray'due south vast artistic inspirations are matched only past the deep peer admiration that is reflected in her albums' invitee appearances, which have included Vince Gill, Brandi Carlile, Justin Vernon, Jim James, Derek Trucks, Susan Tedeschi, Phil Cook, and others. That kind of practiced will is something merely built from a lifetime of expert deeds and great music.

While she partnered with Compass Records to event Holler, Ray'due south home base of operations is Daemon Records, the not-for-profit characterization she founded in 1990 to support grassroots artists, including Kristen Hall, Rose Polenzani, Danielle Howle, John Trudell, Gerard McHugh, the Stone-A-Teens, and others. With Daemon, as with everything, Ray aimed to requite something back to the community from which she has gotten so much.

When 2022 found the world immersed in a pandemic, Amy and her band turned to the digital world and started producing and recording singles from their own makeshift studios. "Tear it Downwards" released along with a video in November, 2022 wrestled with Amy'south upbringing in the cradle of the confederacy and pays tribute to activists working to dismantle racism.

In Feb, 2021, Amy Ray Band released another video and song, "Muscadine",  to sing of dogs and what they teach us of unconditional dearest. Another song, "Chuck Volition'due south Widow" is due for release this summertime 2021.

Solo or duo, with a band or an orchestra, together and apart, both Ray and Saliers pour themselves into every performance, and their audiences notwithstanding soak upward every ounce of that generosity, spilling their own hearts and souls out as they sing along to every song. Theirs isn't a fanbase; information technology'due south a family.

Listen to Amy Ray Band:

About Daphne Willis:

Described as "strong, resilient and passionate," by B-Sides and Badlands and "a badass, a mic
killer, and a hustler," past Popdust, Daphne Willis is a genderfluid artist that exists with her
multitudes on full brandish. "I stay true to myself, I'm honest with my fans, and I endeavour to put music
out that doesn't shy away from the dark sht… that says 'information technology's okay to have dark sht'," she states
with typical candidness. This sentiment has helped her create a diverse catalogue of work that
straddles worlds of commercial incandescence and raw emotionality, all whilst defying the
constraints of conventional genre. Her powerhouse RnB releases like "BrickxBrick" are favorites
on ESPN, whilst her popular/stone rails "Legacy" was featured in Equality Now's gala in tribute to
Ruth Bader Ginsberg (introduced by Meryl Streep and Gloria Steinem). Her music is constantly
featured in popular programming like Empire, I Tree Hill, Four Weddings and a Funeral and
more than. Meanwhile, her breathtaking musical letter on addiction, "Somebody's Someone", has
amassed over 24 meg views online, and launched her equally a sought afterward speaker in the worlds
of mental wellness, addiction and trauma recovery. It's no wonder that the printing has declared her
to be, "fun and refreshingly shine" (Paste), "timeless" (Pop Matters), and "taking the world of
music past storm" (Affinity). Daphne Willis is a singer-songwriter who is an industry unto herself.
Born in Texas and raised in Chicago, Daphne cutting her musical teeth sneaking into the blues and
jazz clubs of the windy metropolis. Two years into her higher feel, Daphne landed a deal with
Vanguard Records, sending her on frequent writing trips to Nashville, where she eventually
moved. Immersing herself in the scene, she became a regular on the festival circuit, saw
packed houses at bigger and bigger venues, and eventually left her record deal to mint a fresh
publishing contract with Sony/ATV. Her greatest avenue for exposure was quickly proving to exist
in her music'south intense commercial applicability. Daphne's track "Do It Like This," in particular,
has seen more than 10 major international placements including Samsung, xfinity, Empire,
Spongebob Squarepants: Sponge on the Run, and, among other honors, is, to this day, yet the
agree music for Royal Carribean Prowl Lines.

Willis' identity as an artist, however, was not truly cemented until the release of "Somebody'due south
Someone", a song borne from the heartbreak of habit and mental health battles inside her
family. The song and its video speedily blazed a trail through the internet, growing Daphne'south
audition twenty-fold. "Every unmarried day I get an email from someone who tells me what that
vocal ways to them," she explains, "Information technology changed me and my whole artist platform. It helped me
on a personal level as well in my own struggles with depression and trauma recovery."
With ever-consequent sync placements in projects similar Puppy Bowl with Snoop Dog and Martha
Stewart, Queenpins, and Work Information technology, new music in the pipeline, and burgeoning work equally an
independent producer, Willis shows no signs of slowing down. Out, proud, forthright, and the
curator of one of the near welcoming fanbases around, Daphne is as authentic a performer and
activist as they come, her biggy output matched only by her capacity for empathy.

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Source: https://salvagestation.com/events/amy-ray-band/

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